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Svetlana Monchak (Soprano)

Svetlana Monchak graduated from the St Petersburg State Rimsky-Korsakov Conservatoire (Chorus Conducting Department, 2001; Vocal Department, 2008). She joined the Mikhailovsky Opera in 2008. At the Mikhailovsky Theatre, she performed Marfa in Rimsky-Korsakov’s Tsar’s Bride (productions by Stanislav Gaudasinsky and Andrey Moguchy), Musetta in Puccini’s La Bohème (production by Arnaud Bernard), Rosina in Rossini’s Il barbiere di Siviglia, Gilda in Verdi’s Rigoletto (productions by Stanislav Gaudasinsky), and the vocal part of Nike the Goddess in the ballet Spartacus. She participated in the concert performances of Bizet’s Carmen (Frasquita, Micaëla) under the baton of Vasily Petrenko, Puccini’s Manon Lescaut (madrigal) and Mozart’s Don Giovanni (Donna Anna) under the baton of Mikhail Tatarnikov, Rimsky-Korsakov’s Snow Maiden (Snow Maiden) under the baton of Dmitri Jurowski, and Donizetti’s Don Pasquale (Norina) under the baton of Valentin Bogdanov. She participated in master classes held by Elena Obraztsova (2008), Badri Maisuradze (2009), Richard Barker (2013), Giulio Zappa (2014), and others. She performed the soprano part in Il Canto Sospeso by Luigi Nono, fragments from Puccini’s La Boheme (Mimì), Bellini’s Norma (Norma), and Gounod’s Roméo and Juliette (Juliette). Her répertoire also includes Norina in Donizetti’s Don Pasquale, Lyudmila in Glinka’s Ruslan and Lyudmila. She has performed with Giuseppe Sabbatini, Ilan Volkov, Daniele Rustioni, Fabio Mastrangelo, E. le Duke Baron, and other renowned conductors.

Nowadays, at the Mikhailovsky Theatre she performs leading soprano parts in the operas by Pyotr Tchaikovsky, Wolfgang Amadeus Mozart, Giuseppe Verdi, Gaetano Donizetti, Antonín Dvořák, Engelbert Humperdinck, and Boris Asafiev. She also performs vocal parts in the ballets Prelude and Multiplicity. Forms of Silence and Emptiness by Nacho Duato.

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