Yekaterina Petrova (Dancer) Graduated from the Vaganova Ballet Academy in 2005 (class of Irina Sitnikova). Joined the Mariinsky Ballet the same year.
Repertoire includes: La Sylphide (Effie, Nancy, Sylphs); choreography by August Bournonville, revised version by Elsa-Marianne von Rosen, Giselle (Myrtha); choreography by Jean Coralli, Jules Perrot and Marius Petipa, La Bayadère (Gamzatti, D’Jampe, Hindu Dance, Bayadères, Trio of Shades); choreography by Marius Petipa, revised version by Vladimir Ponomarev and Vakhtang Chabukiani, Swan Lake (Pas de trois, Cygnets, Swans, Two Swans); choreography by Marius Petipa and Lev Ivanov, revised version by Konstantin Sergeyev, Raymonda (Clemance, variation in the Dream scene, Grand pas); choreography by Marius Petipa, revised version by Konstantin Sergeyev, The Sleeping Beauty (Gold Fairy); choreography by Marius Petipa, revival of the 1890 version, staging by Sergei Vikharev, The Sleeping Beauty (Gold Fairy, Sapphire Fairy, Silver Fairy, Courage Fairy); choreography by Marius Petipa, revised version by Konstantin Sergeyev, Le Corsaire (Gulnare, Trio of Odalisques); production by Pyotr Gusev after the composition and choreography of Marius Petipa, Don Quixote (Queen of the Dryads, Amour, Flower-Seller); choreography by Alexander Gorsky, Michel Fokine's ballets The Firebird (Firebird), Le Carnaval (Estrella), Pétrouchka (Dancers); choreography by Michel Fokine, production by Gary Chryst, The Fountain of Bakhchisarai (Young Noblewomen); choreography by Rostislav Zakharov, Romeo and Juliet (Folk Dance, Juliet’s Companion, Servants at the Inn); choreography by Leonid Lavrovsky, Spartacus (Etruscans); choreography by Leonid Yakobson, George Balanchine’s ballets The Four Temperaments (Melancholic), Jewels (Diamonds, Rubies) and Symphony in C (I. Allegro vivo), Serenade, The Stone Flower (Amethysts); choreography by Yuri Grigorovich, Carmen Suite (Tobacco-Worker); choreography by Alberto Alonso, 5 Tango's; choreography by Hans van Manen, The Nutcracker (the Nutcracker’s Sisters, Canteen-Keeper, Chinese Dance, Waltz of the Flowers); production by Mihail Chemiakin, choreography by Kirill Simonov, Alexei Ratmansky’s ballets Cinderella (Khudyshka, Kubyshka) and The Little Humpbacked Horse (Wet-Nurses, Gypsy Dance), Concerto DSCH, The Magic Nut (Princess Pirlipat, Rat Jester, Spanish Rat); production by Mihail Chemiakin, choreography by Donvena Pandoursky, Le Bourgeois Gentilhomme (Dancers); choreography by Nikita Dmitrievsky, Ondine (Tarantella, Four Naiads); choreography by Pierre Lacotte, Le Sacre du printemps (Sylph); choreography by Donvena Pandoursky, Yuri Smekalov's ballets Presentiment of Spring (Three Women), Camera Obscura (Magda), Diana Vishneva: Beauty in Motion (Moses Pendleton’s F.L.O.W. (Swan’s Dreams), Le Parc; choreography by Angelin Preljocaj, The Vertiginous Thrill of Exactitude; choreography by William Forsythe, Sacre; choreography by Sasha Waltz, Bambi (Falina); choreography by Anton Pimonov, Maxim Petrov's ballets Ballet No 2, Russian Overture, Pavlovsk, Paquita (Paquita’s friends); choreography by Yuri Smekalov, reconstruction and staging of Marius Petipa's choreography (Act III Grand Pas) by Yuri Burlaka, Pulcinella (Prudenza); choreography by Ilya Zhivoi, as well as the Dances of Naina’s Charms and Chernomor’s Slaves in the opera Ruslan and Lyudmila.
Repertoire also includes: Grand pas from “Paquita” (Variation); choreography by Marius Petipa.
Has toured with the Mariinsky Ballet to China.
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