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Modern Ballet Ballet Evening: Triple Bill by Nacho Duato - Without Words. Nunc Dimittis. Duende
Mikhailovsky Classical Ballet and Opera Theatre (established 1833)

Running time: 1 hours 25 minutes


Schedule for Ballet Evening: Triple Bill by Nacho Duato - Without Words. Nunc Dimittis. Duende 2022

Composer: Franz Schubert
Composer: Claude Debussy
Choreography: Nacho Duato

Orchestra: Mikhailovsky Symphony Orchestra

Without Words

Choreography: Nacho Duato
Music: Franz Schubert
Sets and Costumes: Nacho Duato
Light Design: Brad Fields (based on the original idea of Nacho Duato)
Choreographer's Assistants: Thomas Klein, Gentian Doda

World premiere: American Ballet Theater at the City Center in New York, 29 October 1998
Russian premiere: Mikhailovsky Theatre, 15 March 2011


Without Words is Nacho Duato’s second work for the prestigious American Ballet Theater company. The title refers to Schubert’s songs scores, which are instrumental music, music without words. As in the songs, the choreographer strips the dancing of any evident romantic atmosphere. Love and death appear as the central subjects derived from the music. A new world, with all its possibilities, is revealed in a dark existential scenographic space typical of the 20th century. Duato shows a universal vital cycle in all its spontaneity, free of unnecessary alignments and ornaments.


Nunc Dimittis


Choreography, Sets and Costumes: Nacho Duato
Music: Arvo Part, David Azagra
Lighting Designer: Mikhail Mekler
Rйpйtiteur: Kirill Myasnikov

World premiere: Mikhailovsky Theatre, 15 March 2011

“The inspiration for this work was a composition entitled Nunc Dimittis by Arvo Part. The fact that the ballet is set to religious music gives it a mystical, supernatural dimension. Part wrote the music to the Canticle of Simeon, but this is an abstract ballet. There are no characters as such, do not expect to see the Virgin Mary, Jesus or Simeon. I would like to stress that this ballet was also inspired by Ekaterina Borchenko (prima ballerina of the Mikhailovsky ballet): Nunc Dimittis is being created with her in mind and for her”. Nacho Duato, January 2011.


Duende


Choreography: Nacho Duato
Music: Claude Debussy
Sets: Walter Nobbe
Costumes: Susan Unger
Lighting Design: Nicolбs Fischtel
Choreographer's Assistants: Tony Fabre, Eva Maria Lopez Crevillen

World premiere: Nederlands Dans Theater at the AT&T Danstheater, The Hague, 21 November 1991
Russian premiere: Mikhailovsky Theatre, 15 March 2011


Duato’s ideas’ for choreography are almost always preceded by his choice of music, which characterises his working method. Maybe this applies to Duende in particular, because the music was the only source of inspiration for this ballet. Long ago, Duato fell in love with Debussy, especially with the way the composer makes nature sound in music. When he listens to this music, Duato visualises shapes, not people, relationships or events. This is why he considers Duende as an almost sculptural work: a body, a movement, that goes with the tune.

Duende literally means elf or fairy, like the ones who tidy upchildren’s toys at night, but it can also mean rascal, a naughty child. One can also possess ‘duende’, when radiating energy and great charm, almost having a magical attraction. In Andalusia flamenco is said to have duende, which can hardly be translated into another language. Flamenco has a touch of spell, one might say, like the way black music has ‘soul’.


Photos





Schedule for Ballet Evening: Triple Bill by Nacho Duato - Without Words. Nunc Dimittis. Duende 2022


"Nunc Dimittis" ballet
 
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