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Teddy Tahu Rhodes (Baritone)

New Zealand baritone Teddy Tahu Rhodes studied with Mary Adams Taylor, winning, at the age of twenty, the Dame Sister Mary Leo Scholarship as New Zealand’s most promising singer. In 1991, he was awarded the Mobil Song Quest, enabling him to continue his studies at the Guildhall School of Music and Drama in London and subsequently with David Harper. Whilst resident in the UK, Teddy Tahu Rhodes was a finalist in the Kathleen Ferrier Award, and performed in recital as part of the Young Songmakers Almanac Concert Series, directed by Graham Johnson.

In 1998, he made his debut as Dandini (La Cenerentola) with Opera Australia and in 1999 sang Sharpless (Madama Butterfly) with Canterbury Opera, Marcello (La Boheme) and Silvio (I Pagliacci) for Opera New Zealand. He represented New Zealand in the 1999 Cardiff Singer of the World competition. His 2000 engagements included his return to Opera Australia as Count Almaviva in The Marriage of Figaro and Demetrius in A Midsummer Night’s Dream, and his debuts with the Sydney Symphony and Queensland Symphony Orchestras. In September 2000, he made a highly successful American debut with San Francisco Opera as Joe in the world premiere of Jake Heggie‘s Dead Man Walking. His many recordings include Faure’s Requiem, Handel’s Messiah and a recital of Mozart arias. He filmed The Little Prince for BBC television, and from the Metropolitan Opera, he appears on the DVDs of Peter Grimes (EMI) and Carmen (Deutsche Grammophon).

In 2001, he joined Opera Australia as a resident principal artist, performing the roles of Guglielmo (Cosi fan tutte), Belcore (L’elisir d’amore), Demetrius and Harlekin (Ariadne auf Naxos). His engagements include Belcore in Philadelphia; Stanley (A Streetcar Named Desire) with Austin Lyric Opera, Washington Opera and the Theater an der Wien; Escamillo (Carmen), Dandini, Don Giovanni, Stanley, Figaro and Lescaut for Opera Australia; Dead Man Walking for State Opera of South Australia; Marcello and Escamillo in Dallas; the Pilot (Rachel Portman’s The Little Prince), Bendrix (Jake Heggie’s The End of the Affair), Count Almaviva and Lescaut (Manon Lescaut) for Houston Grand Opera; Don Giovanni, Count Almaviva and Guglielmo for Cincinnati Opera; Count Almaviva in Washington; Papageno for Welsh National Opera; Escamillo and Henze’s L’Upupa for Hamburg Opera; Escamillo for the Chatelet, Paris and in Munich; and Lescaut in Leipzig. He made his debuts at the Metropolitan Opera in Peter Grimes (returning for Escamillo), at the Santa Fe Opera with his first Billy Budd, and for the New York City Opera as Antony in concert performances of Barber’s Antony and Cleopatra. Teddy sang his first Scarpia in Tosca for the West Australian Opera.

Future engagements include South Pacific for Opera Australia, Showboat for the Washington Opera, Stanley for the Lyric Opera of Chicago and Escamillo for the Metropolitan Opera.




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