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Opera Peter Tchaikovsky "Eugene Onegin" (lyric opera in three acts, seven scenes) Production by Moshe Leiser and Patrice Caurier (2002)
World famous Mariinsky Ballet and Opera - established 1783

Running time: 3 hours 30 minutes

The performance has 2 intermissions

Schedule for Peter Tchaikovsky "Eugene Onegin" (lyric opera in three acts, seven scenes) Production by Moshe Leiser and Patrice Caurier (2002) 2017/2018

Composer: Peter Tchaikovsky
Conductor: Maestro Yuri Temirkanov
Stage Director: Patrice Caurier and Moshe Leiser
Set Designer: Christian Fenouillat
Principal Chorus Master: Andrei Petrenko
Musical Director: Maestro Valery Gergiev
Musical Preparation: Irina Soboleva
Director: Patrice Caurier and Moshe Leiser
Costume Designer: Agostino Cavalca
Lighting Designer: Christoph Forey
Stage Director: Maestro Yury Temirkanov
Set Designer: Igor Ivanov
Piano: Irina Soboleva

Orchestra: Mariinsky Theatre Symphony Orchestra

Opera in 3 acts

Performed in Russian with synchronised English supertitles

World premiere: 17 March 1879, Maly Theatre, Moscow, Russia
Premiere in Russia: 13 November 1982 Kirov Theatre of Opera and Ballet, Leningrad
Premiere of this production: 13 November 1982, Kirov Theatre of Opera and Ballet, Leningrad

Performed in Russian

Libretto by Peter Tchaikovsky and Konstantin Shilovsky
after the poetic novel of the same name by Alexander Pushkin

•World premiere: 17th March, 1879, Maly Theatre, Moscow
•Premiere of this production: 14th August, 2002, Mariinsky Theatre, St Petersburg

Eugene Onegin (Yevgeny Onegin in transliteration) is an opera in three acts by Pyotr Ilyich Tchaikovsky to a Russian libretto by Konstantin Shilovsky and the composer, based on the novel of the same name by Aleksandr Pushkin.

 

 

 

  • Characters




  • Synopsis

    Act 1

    Scene 1: The garden of the Larin country estate 
    Madame Larina (mezzo-soprano) and the nurse (mezzo-soprano) are sitting outside: her two daughters, Tatyana (soprano) and younger sister Olga (contralto), can be heard from inside the house. A group of peasants sing a comic song about the serenading of a miller’s daughter. Tatyana is reading a romantic novel but her mother tells her that real life is different. Visitors arrive: Olga’s fiancée Lensky (tenor), a young poet, and his friend Eugene Onegin (baritone), a world-weary St Petersburg ’drawing-room automaton’ (Nabokov). Lensky introduces Onegin to the Larin family. Onegin is initially surprised that Lensky has chosen the extrovert Olga rather than her romantic elder sister. Tatyana for her part is immediately and strongly attracted to Onegin.

    Scene 2: Tatyana’s room 
    Tatyana confesses to her nurse that she is in love. Left alone she writes a letter to Onegin driven by the realization that she is fatally and irreversibly drawn to him (the celebrated ’Letter Scene’). When the old woman returns Tatyana asks her to arrange for the letter to be sent to Onegin.

    Scene 3: Another part of the estate 
    Onegin arrives to see Tatyana and give her his answer to her letter. He explains, not unkindly, that he is not a man who loves easily and is unsuited to marriage. Tatyana is crushed and unable to reply.

    Act 2

    Scene 1: The ballroom of the Larin house 
    Tatyana’s name-day party. Onegin is irritated with the country people who gossip about him and Tatyana, and with Lensky for persuading him to come. He decides to revenge himself by dancing and flirting with Olga. Lensky becomes extremely jealous. Olga is insensitive to her fiancé and apparently attracted to Onegin. There is a diversion, while a French neighbour called Monsieur Triquet (tenor) sings some couplets in honour of Tatyana, after which the quarrel becomes more intense. Lensky renounces his friendship with Onegin in front of all the guests, and challenges Onegin to a duel, which the latter is forced, with many misgivings, to accept.

    Scene 2: On the banks of a wooded stream, early morning 
    Lensky is waiting for Onegin, and sings of his uncertain fate and his love for Olga. Onegin arrives. They are both reluctant to go ahead with the duel but lack the power to stop it. Onegin shoots Lensky dead.

    Act 3

    Scene 1: At a ball in the house of a rich nobleman in St Petersburg 
    Some years have passed. Onegin reflects on the emptiness of his life and his remorse over the death of Lensky. Prince Gremin (bass) enters with his wife, Tatyana now transformed into a grand, aristocratic beauty. Gremin sings of his great happiness with Tatyana, and introduces Onegin to her. Onegin is deeply impressed by Tatyana, and is fired by a desperate longing to regain her love.

    Scene 2: Reception room in Prince Gremin’s house 
    Tatyana has received a letter from Onegin. Onegin enters and begs for her love and her pity. Tatyana wonders why he is now attracted to her. Is it because of her social position? Onegin is adamant that his passion is real and absolute. Tatyana, moved to tears, reflects how near they once were to happiness but nevertheless asks him to leave. She admits she still loves him, but will remain faithful to her husband. Onegin implores her, but she finally leaves him alone in his despair.






    Schedule for Peter Tchaikovsky "Eugene Onegin" (lyric opera in three acts, seven scenes) Production by Moshe Leiser and Patrice Caurier (2002) 2017/2018


    Viktor Afanasenko - Lensky Aria from "Eugene Onegin" opera. St. Petersburg Radio & TV orchestra. Conducted by Stanislav Gorkovenko
     
    About This Video
    05:47
    Vladimir Lensky Aria from "Eugene Onegin" opera by Peter Tchaikovsky.
    St. Petersburg Radio & TV Symphony Orchestra.
    Conductor: Maestro Stanislav Gorkovenko


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